Saturday, 22 October 2011

93% Weekend

All Critics (45) | Top Critics (23) | Fresh (42) | Rotten (3)

Its final moments offer a vision of what a contemporary romance can achieve: an appreciative gasp of truth, a wet-eyed hope for more.

One of the truest, most beautiful movies ever made about two strangers.

If you've ever met someone who changed your life in the space of days, you'll relate to something in this movie.

The organ that "Weekend" is most concerned with isn't the one you might think, but the human heart.

In just a short period of time, a weekend hookup tests the boundaries each man has set for himself.

If this lovely movie proffers a thesis or a moral, it's a simple one. A more open, fully integrated and passionate life feeds the soul no less than air and water. Or coffee the morning after.

A heartfelt romantic comedy, a touching rumination on sexual identity and a striking look at what it is to be gay in 21st Century Britain.

Like Before Sunrise, the real joy of writer/director Andrew Haigh's film is in watching two people make bedrooms, overpasses, kitchenettes, and couches feel alive with potent conversation and pregnant silences.

While you might appreciate its goal, the writing and execution aren't strong enough to reach it.

It's a thrill to watch, just as it's thrilling to be in the hands of such a gifted new filmmaking talent.

This appealing gay-themed drama, written and directed with intelligence by Andrew Haigh, is a British cousin to the American mumblecore movement...

The story is simply told with a lot of talking, some loving and much philosophizing over the meaning of life. The good thing is that [writer-director-editor] Andrew Haigh wears all his hats well and shows a deft hand at all his chores.

The results are gently sincere but maybe a little misguided, a far cry from the note-perfect, transcendently adorable 1999 gay love story "Trick," which this one reminds of?and pales in comparison to.

It's equally as chatty as [Before Sunrise and Before Sunset], but the dialogue is more to the point, less cerebral, and below the belt.

There's a white-knuckle quality to this affair that's as fearsome as it is beautiful.

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Source: http://www.rottentomatoes.com/m/weekend_2011/

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